Legendary
In The Media

JAMMING
ACROSS THE OCEANS
By CHRIS NELSON
| |
| The
Dirty Dozen Brass Band performing on deck in
January on the Jam Cruise.
Robb Cohen |
Les
Claypool, the bass-guitar player and leader of the oddball
psychedelic band Primus, has a taste for the strange.
He has, after all, written a song called "Pork Soda"
and has named another of his groups Colonel Claypool's
Bucket of Bernie Brains.
So it comes as little surprise that he got a charge
from the surreal vision he witnessed this last January
onboard for Jam Cruise 2, a four-night sea outing for
fans of improvisational rock bands.
"Here
we are playing at 4 in the morning, we're doing this
demented, twisted version of "Another Brick in the Wall,'
he said." You know, people are jamming and having a
good old time and we're cruising past Cuba."
The experience proved so enjoyable for Mr. Claypool
that he has signed up for Jam Cruise 3 next January.
So did nearly 500 fans who registered to pay between
$550 and $1,125 for next year's trip even before the
musical lineup was announced. The cruise, which was
organized by Cloud 9 Adventures in Boca Raton, Fla.,
is scheduled with multiple sets from jam band favorites
like Galactic, Jon Fishman of Phish, North Mississippi
Allstars, Ozomatli and DJ Logic.
The jam bands, however, do not have the seas to themselves.
Also next January, the Legendary Rhythm & Blues Cruise
sets sail with Taj Mahal, Dr. John, Susan Tedeschi and
the Derek Trucks Band. It sold out a year in advance.
Although the concert industry does not track sales from
music-related cruises, their number appears to be increasing,
said Ray Waddell, who reports on the tour business for
Billboard. The cruise business has plenty of room to
grow with jam bands, said Roger Naber, one of the producers
of Jam Cruise and a longtime producer of the Legendary
Rhythm & Blues Cruise. "It's a new concept for this
genre of music. They've only thought of cruises being
for newlyweds or nearly deads. It is changing." These
cruises, organizers said, are drawing customers who
are slightly older than the usual rock festival crowds,
who may be burnt out on the dirt, junk food and porta
potties that come with most rock festivals.
"Now
that I'm getting a little bit older, I'm not all about
fighting the crowds, camping out in some big muddy field
and stuff like that," said Marc Smith, 33, of Charlottesville,
Va., who went on last January's Jam Cruise to Nassau.
"With the Jam Cruise, you get your own cabin, a clean
bathroom, food to eat, showers. All that stuff's important
to me."
Music-theme cruises ‹ primarily jazz and big band ‹
have been popular for at least 20 years, said Gary Bongiovanni,
the editor of the concert trade publication Pollstar.
Not surprisingly, the music on those trips was geared
toward a slightly older crowd, since older customers
had more money to afford cruises. Today any number of
travel agencies promote theme trips like oldies cruises,
country cruises, even banjo cruises.
But charter music trips like the Jam Cruise differ from
the more traditional theme cruises because they trade
elements like black-tie dinners and bingo for a music
schedule that can run around the clock.
This new circle of cruisegoers wants to sail with musicians
who are willing to toss out standard set lists and jam
as the muse calls them, often playing in spontaneous
groups. While the audiences for these outings are not
teenagers, they are not the A.A.R.P. crowd, either.
Jam Cruisers, as participants call themselves, average
between 25 and 35, and several music cruises attract
crowds in their 30's and 40's, organizers said.
"The
idea is definitely appealing to a younger generation,"
said Todd Wickersty, 33, of also of Charlottesville,
a town known for its fondness of jam bands, who went
in March for a weeklong cruise on which the jam band
called moe played six nights. "I can't say that I would
have enjoyed the nightime entertainment on the ship
as much if moe hadn't have been there."
Beyond the enticement of shows and sun, the cruises
also offer fans the chance to spend time hanging out
with the musicians onboard. "The artists are accessible
and available, and eat dinner with you and go snorkeling
with you on the shore excursions," said Dale McGinnis,
34, of Melbourne, Fla., who was on the first of the
two Jam Cruises last January and is planning to be there
next year as well. "We're all on the same boat, literally
and figuratively," he said.
For many younger cruisers, the highlights are hidden
in unannounced or unanticipated music combos. Mr. McGinnis
recalled one spontaneous jazz jam in an unused bar on
a Jam Cruise that featured the bassist Rob Wasserman
(who has played with the likes of Lou Reed and Elvis
Costello), members of the Dirty Dozen Brass Band and
Galactic, plus a fan onboard who just happened to play.
This kind of improvisational group falls together easily
among blues, jazz and jam musicians. Whether the cruise
environment will translate so easily to other smaller
musical niches is unclear. But Josh Moore, the Jam Cruise
band booker, said he would like to assemble alternative
country and neo-soul cruises as well.
"I
would imagine it would work with any situation," Mr.
Claypool said, even for a heavy metal marathon like
Ozzfest. "I'm not sure I'd want to be on it," he add.
"But you could do it."